deBushka

The Bauhaus Curriculum from 1923 (Woodcut) showing the idealised version of Walter Gropius’ “cathedral” of design. The curriculum consisted of preliminary courses and practical training in workshops. The workshops were to be laboratories for developing models “ripe for mass production, implements typical of the present day”.

The Bauhaus Curriculum from 1923 (Woodcut) showing the idealised version of Walter Gropius’ “cathedral” of design. The curriculum consisted of preliminary courses and practical training in workshops. The workshops were to be laboratories for developing models “ripe for mass production, implements typical of the present day”.


Women of the Bauhaus.

Women of the Bauhaus.

The Constructivist and Dadaist congress in Weimar, 1922. Tristan Tzara with the monocle, Hans Richter laying on the ground, El Lissitzky with the pipe and Lucia and László Moholy-Nagy on right View high resolution

The Constructivist and Dadaist congress in Weimar, 1922. Tristan Tzara with the monocle, Hans Richter laying on the ground, El Lissitzky with the pipe and Lucia and László Moholy-Nagy on right

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